Interview with Maryann Jacob Macias, Author of “Téo’s Tutu”

In Téo’s Tutu, there is no discussion of Téo’s identity, nor is there any conflict about how he chooses to dress and express himself. Why did you choose to write this story void of external conflict and labels?

I really wanted to write a book about unconditional love; Teo's parents support and affirm him, and it makes absolute sense to them that their child would want to wear something beautiful that makes him feel great! Their unconditional love gives him the courage to be his authentic self. When Finn points to Teo's Tutu, it's a question any child might ask because we're conditioned to believe only certain children can dress or play a certain way. Kids think critically and ask, “why?” which begins a conversation. My favorite thing about talking with young people is the courage they have to ask challenging questions. 

What messages or ideas do you hope children receive from Téo’s Tutu? What about adults?

When I was a child, I loved ballet, but I didn’t love the frilly leotard and tutu, and I didn’t like wearing a bun. So the message was that ballet wasn’t for me. I want to reaffirm for kids what they have taught me, which is that there is no limit to what you can wear, play, do, or be to show up as your authentic self. As adults, I think learning from kids, who model courage and authenticity, is key. Bell Hooks said, “Most children are amazing critical thinkers before we silence them.” 

Téo’s Tutu is your first book. What does it mean to you to become an author? 

I really have dreamed of this my entire life! Sometimes, I can’t believe it’s actually happened. Still, it’s a lot of work, and I have a steady and disciplined practice of writing daily. I enjoy working on different projects at once, and I’m thrilled I can focus on all these other stories inside me that have been waiting to come out!

How did your previous work in literacy outreach and experience with The Feminist Press, a publisher and nonprofit focusing on gender equity and social justice impact the creation of Téo’s Tutu?

As a student at the City College of New York, CUNY, I was first introduced to the essential work of Audre Lorde, bell hooks, and James Baldwin. Then, I worked at the Feminist Press where we published present day authors who were writing about these issues. So I’m thrilled to see more and more books and television shows telling these stories.